Skip to main content

"Welcome To My Daydream" Documentary About Stop Motion Filmmaker Will Vinton Now on Kickstarter

With four days left to go on Kickstarter, the documentary about the Oscar-winning filmmaker and Claymation filmmaker, Will Vinton, Welcome To My Daydream, climbs steadily towards its goal of $35,000 with 10k left to raise.

Will Vinton, one of the stop motion industry’s most undervalued pioneers – who, in 1978, coined and trademarked the term “Claymation” – was the founder of Will Vinton studios, under which he contributed to creating iconic Claymation characters such as the California Raisins, ‘80s Domino’s mascot Noid, the non-Claymation Red and Yellow M&M’s, as well as having spearheaded Claymation films such as The Adventures of Mark Twain and A Claymation Christmas Celebration, as well as dozens of other feature-length and short films.

Welcome To My Daydream tells the little-known saga of Will Vinton’s career and the and rise and fall of Will Vinton Studios, a stop motion production company founded with high hopes only to eventually fizzle out in the early 2000s, bereft of funding, ending with Vinton losing his own company to son of Nike CEO Travis Knight, who currently runs the stop motion studio, in 2005 rebranded under a different name – Laika.



On the Kickstarter page for the project, Evans explains that it was as he was near completing his award-winning documentary, The Glamour & The Squalor, that he came across this article – the first to break the details of the story of how Vinton lost his studio to – at which point “Nostalgia immediately took hold and great memories of Vinton's characters and shows from my childhood came rushing back. Will created some of the most memorable characters of my youth, and I knew right away I had to make this film [Welcome To My Daydream].”

Concerning his relationship to Vinton’s work, Evans told Animation Magazine, “At first it was the characters that really attracted me to Will’s story. I grew up with the Raisins and the Noid and The Claymation Christmas Special. Once I started researching Will’s story, I was so inspired about his journey…starting a company in his basement and creating all these amazing characters, working with so many talented collaborators and eventually turning his dream into a $35 million/year company. It’s really an inspiring story for any creative, and any creative entrepreneur. Unfortunately, it has a cautionary tale that we explore in the film as well, and the dramatic arcs of his story are really interesting and I think will have people on the edge of their seat when they’re watching this film!”

Will Vinton and Marq Evans

So far, many dozens of those close to Vinton or who were related to the story in some way (many of whom are stop motion devotees) have been interviewed for the documentary, starting with Vinton himself, Hey Arnold! creator Craig Bartlett, Aardman co-founder Peter Lord, animation historian Jerry Beck, Bent Image Lab director and co-founder David Daniels, and some twenty plus more.

Besides featuring “include in-depth conversations with Will and other subjects, exclusive behind the scenes and archive footage, creative reenactments,” parts of the documentary will also feature “original Claymation scenes with new characters (representing Will’s left and right brain) weaved throughout the film!” These characters, dubbed Lodge (the left side of Vinton’s brain) and Randy (the right side of his brain), will characterize the internal struggles of Vinton between his creative drive and the financial and administrate challenges of running a company that Vinton faced while he was in the peak and decline of his filmmaking career.

Welcome To My Daydream's original Claymation characters, Lodge (lower) and Randy (above)

To finish Welcome To My Daydream, Evans says that the documentary’s team is now turning to Kickstarter as they “still have a ton of filming left to go” along with several other financial hurdles they face. Their $35,000 all-or-nothing Kickstater goal currently stands with 305 backers and $25,100 having already been raised for the project with four days left to go at the time of writing this, the Kickstater ending on November 9th at 7pm, Pacific Time.



You can support the project by going to their Kickstarter page, where you can donate any amount, all of which will help to go towards making the documentary a reality. In thanks for your support, there are several incentives that the Welcome To My Daydream crew feature, such as the film itself, posters signed by Vinton and the Daydream crew, original sketches by Vinton of characters such as the Michael Jackson California Raisin, and a private dinner at Vinton’s house in Portland with Vinton himself and Marq Evans.

To learn more about the project, you can visit their Facebook and website.

You can stay tuned for the upcoming interviews and articles by subscribing to Stop Motion Geek via the “subscribe” button at the top right corner of our homepage, or by following us on Facebook @StopMotionGeek, or by visiting https://www.facebook.com/StopMotionGeek/. You can also stay up-to-date with the blog by following us on Instagram or @stop.motion.geek.blog.



Comments

Popular posts from this blog

Interview with Joseph Wallace, Director and Animator of Psychedelic, Cut-out Stop Motion Music Video for Canadian Artist Parker Bossley's "Chemicals"

Parker Bossley as seen in Chemicals . Photo courtesy of Joseph Wallace. “I think the thing I’ve always found wonderful about cut out animation is that it’s one of the most immediate forms of animation,” muses British stop motion animation director Joseph Wallace – currently based in Bristol, UK, where, in January of this year, he founded the stop motion studio Hangar Puppet Animation Studio – in discussion of the medium he employed in his most recent film – the surreal, psychedelic music video for Canadian artist Parker Bossley’s debut single, Chemicals , which has already won a Vimeo Staff Pick. Perhaps more than anything else – perfectly suiting the film’s subject matter –the style and medium allow to film to transcend to time itself, just as Wallace implies, undoubtedly allowing the film to become just that – immediate. Almost so much so one gets the feeling they’re clawing at air in search for a handle on reality as they fall…along with Bossley – also the film’s protagoni...

Interview with Samuel Lewis - Animator, Character Designer, and Sculptor on Stop Motion Short Film, "Lost & Found"

Knotjira, a clumsy dinosaur made of wool, as seen in Lost & Found . Photo courtesy of Andrew Goldsmith. “If I had to pick a starting point for my career as a stop motion animator I would have to say it was my obsession as a six year old with a book called ‘Playing with Plasticine’ by Barbara Reid,” Samuel Lewis – a London-based stop motion and 2D animator and director, whose most recent labor of love can be seen in his contribution to the Australian stop motion short film, Lost & Found – tells Stop Motion Geek. Upon reflection, Lewis explains that his love for the medium of stop motion began very early in life, and has merely managed to burn ever brighter in his fervor to master the craft. “I would spend countless hours fixated on sculpting tiny snails, fruit bowls and dinosaurs to the point where I would stay inside on family holidays sculpting a surfer in a beach scene rather than going to the actual beach that was only a short walk away,” Lewis recalls wistfully. “...

Interview with Marie Lechevallier, Animator and Collage Artist on Psychedelic, Cut-out Stop Motion Music Video for Parker Bossley’s "Chemicals"

Cut-out Parker Bossley character standing atop a mountain in Chemicals . Photo courtesy of Joseph Wallace. “With Chemicals being a fast-paced and spontaneous project I had to keep the creativity flowing and to be constantly open to new ideas,” Bristol-based stop motion animator Marie Lechevallier tells Stop Motion Geek about her latest contribution to the medium – the psychedelic music video for Canadian artist Parker Bossley’s debut single “Chemicals” made in the cut-out style of stop motion, on which she was the sole contributor next to animation director Joseph Wallace. “That’s also an advantage of cut-out animation and the use of magazines – you have to be inventive with what is in front of you,” Lechevallier proceeds. “I like that kind of project – it’s really fun.” Cut-out character of Bossley flying with wings in Chemicals . Photo courtesy of Joseph Wallace. The character of Bossley metamorphosing into a fish in Chemicals . Photo courtesy of Joseph Wallace. ...

Interview with Victor Haegelin, Director and Animator of Stop Motion Action Mini-Movie, "Captain 3D"

Captain 3D in Haegelin's  Captain 3D . Source: Vimeo. Snatching a moment’s respite, a moment now drawing to a close, animation director Victor Haegelin—sporting wide-rimmed 3D glasses with big, red and blue lens—flips through the last few pages of a comic book boasting in big, red letters, “Captain 3D.” He reclines in a leather-backed computer chair, sitting at his desk, every inch of it crammed with something , though what exactly is anyone’s guess, stocked as it is with an animator’s lightbox, a glass jar filled to overflowing with colored pencils that lies an arm’s distance from of a litany of neatly stacked books and magazines—complete with a smattering with glossy comics coated in celluloid—the array finished off with every creator’s most essential companion: a sketch-pad and pen, the items lying closest at hand. Victor Haegelin in Captain 3D . Source: Vimeo. Victor Haegelin closing the cover on the "Captain 3D" comic in Captain 3D . Source: Vi...

Interview with Robert Shaw, Director, Writer, and Co-Animator of Stop Motion Short Film "The Machine"

Parables and allegories, amidst every other kind of story that can be told, have a unique and extraordinarily powerful quality that is all their own: They allow us – the audience – to learn lessons about and to see ourselves, others, and the world in which we live through a completely different lens – that of narrative. The best allegories and parables, in fact, have the unique ability to simultaneously act as conduits for important lessons and to also exist as literal stories, which gives them the unique ability to challenge beliefs and ideas held by the audience in a way that only art can do. Some of the most cherished stories ever composed, illustrated, and put on film are parables and allegories, and what makes them so exceptional are how powerful the lessons are that they teach. The Machine meets The Farmer in The Machine . Photo courtesy of Robert Shaw. Robert Shaw, in his haunting and beautiful stop motion short film The Machine – which he wrote, directed, and co-anim...

Out of a Forest, The Maker & Fred!

The first wonderful film we have today is, Out of a Forest .   Out of a Forest caught my eye because of were they shot the film, it appears and is evident that it was shot a night in an actual forest! - The video is about five

Interview with Ru Kuwahata and Max Porter, Directors of Oscar® Nominated Stop Motion Short Film, "Negative Space"

Sam walks to his car in Negative Space . Source: Vimeo. Across the Baltimore-based director-duo Ru Kuwahata and Max Porter’s Oscar® nominated short film Negative Space ’s 5 minute runtime, rooted in the profoundly emotional soil of the film’s essence , an extraordinary spectrum of deep themes are explored – death, grief, what one’s childhood means once one has “grown up” – yet perhaps none are as front-and-center than that which binds all of the film’s themes together: that of the relationship between father and son. Negative Space , a film inspired by a 150-word poem of the same by Ron Koertge , is, at its heart, the story of Sam, a young man, as he internally processes his relationship with his father throughout his life as well as the grief and emotion that come with the loss of his father as he travels to his recently-passed father’s funeral. Sam looks upon a toy taxicab in Negative Space . Source: Vimeo. Undoubtedly the primary visual motif as well as the crux of t...

Aardman Senior Model-Maker Jay Smart Reveals Aardman's Puppet Materials and Plasticine Techniques for "Early Man" to Adam Savage of Tested

Adam Savage (right) holding "The Farmer" puppet from Shaun the Sheep and Jay Smart (right). Copyright Tested. Along with the usual humdrum of press ranging from critic reviews and interviews with voice actors regarding British animation powerhouse Aardman Animation’s latest feature film – Early Man , a “prehistoric underdog sports story,” in the words of the film’s director Nick Park – has come by the way of the YouTube channel Tested something really exceptional and especially meant for stop motion enthusiasts – a deep-dive into the materials and plasticine techniques Aardman uses for their puppets presented by television personality and special effects aficionado Adam Savage and Jay Smart, a senior modeler at Aardman. During Savage’s tour of the plasticine department, Smart gives Savage a demonstration of a system Aardman began developing for Chicken Run , their first plasticine-driven feature film, to methodize a system for mixing large batches of plasticine to p...

Interview with Lucy J. Hayes, Producer of Stop Motion Love Story, "Lost & Found"

Knitsune in Lost & Found . Photo courtesy of Andrew Goldsmith. Ever since her childhood, Lucy J. Hayes – the producer of Lost & Found , an extraordinarily beautiful short film that make for a profound mediation on the impermanence and imperfection of life and beauty – she’s wanted to play some part in the creative industry, in some way, shape, or form. For Hayes, that dream went unquestioned. However, the challenge turned out to be figuring out quite where she belonged in the creative industry. “I dabbled in acting and directing, however, I was terrible!” Hayes tells Stop Motion Geek. It wasn’t until she began to put on plays with her friends in her adolescence and early adulthood that the answer to her search dawned upon her: All that Hayes found came innately to her – everything from her ardor for creative work to her love for working with creatives to bring an idea, the kernel of a story, to fruition – she found in the title of “producer.” Knotjira (left) and...

Short Flicks: Bent Image Lab's "Fruity Pebbles"

What could be better than starting your day off with part of a whole breakfast, Fred Flintstone, and Stop Motion?  We couldn't think of anything either.  Nevertheless, these awesome commercials/BTS will bring out the kid, and nerd, in all of us.  Directed by Rob Shaw for the incredible Bent Image Lab (a studio that just moved to Manhattan , by the way), these TV spots encapsulates everything we know and love about the modern stone-age Flintstone family who establish how we now think of Prehistoric times. Fire House :  http://vimeo.com/45991027 Cocoa Pebbles "Fire Hose" from Bent Image Lab on Vimeo . Cop Rock :  http://vimeo.com/42010097 Cocoa Pebbles "Cop Rock" from Bent Image Lab on Vimeo .