Short Flicks: "A Girl Named Elastika" & PES' "Swan Song"

"She’s young, dreamy and fearless, she drives cars way too fast, she’s also a yamakasi. She likes adventure, fireworks and unrelenting seas. From the day I conceived her, I’ve been a worried father. And a proud one too."

Link: http://vimeo.com/gblanchet/elastika

A GIRL NAMED ELASTIKA from Guillaume Blanchet I Filmmaker on Vimeo.

"A love story by PES. Announcing the new citizenM Hotel in Times Square, New York City."

Link: http://youtu.be/F-K-ucVm7NA

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Vincent & Puppet Scales

Tim Burton's Vincent is a masterpiece; the short was animated by the brilliant Stephen Chiodo . I do love that the short was shot in black and white film, ask any true film-lover and

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Interview with Lucy J. Hayes, Producer of Stop Motion Love Story, "Lost & Found"

Knitsune in Lost & Found . Photo courtesy of Andrew Goldsmith. Ever since her childhood, Lucy J. Hayes – the producer of Lost & Found , an extraordinarily beautiful short film that make for a profound mediation on the impermanence and imperfection of life and beauty – she’s wanted to play some part in the creative industry, in some way, shape, or form. For Hayes, that dream went unquestioned. However, the challenge turned out to be figuring out quite where she belonged in the creative industry. “I dabbled in acting and directing, however, I was terrible!” Hayes tells Stop Motion Geek. It wasn’t until she began to put on plays with her friends in her adolescence and early adulthood that the answer to her search dawned upon her: All that Hayes found came innately to her – everything from her ardor for creative work to her love for working with creatives to bring an idea, the kernel of a story, to fruition – she found in the title of “producer.” Knotjira (left) and

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Interview with Matt Bollinger, Painter and Animator Behind Stop Motion/Painting Hybrid Short Film "Between the Days," a Beautiful Portrait of Routine, Unfulfillment, and Despair in Middle America

"Before Work" finished painting featured in Between the Days . Photo courtesy of Matt Bollinger. Often – far too often – we forget the true weight of our actions, our everyday decisions, ranging from those big to small. And, in forgetting, we forget ourselves – who we truly are, where we have been, what we have done, how we have gotten here, to this very place in this very moment. For we are nothing if not the sum total of all our decisions, our actions…even the most minute, even those – perhaps especially those – made in the thrumming humdrum of the everyday: the act of rising from our bed and reaching over to flick off the alarm resting on our bedside table, lighting a cigarette, collecting yesterday’s trash before moving on to more, equally menial tasks. Moments spent alone, in ostensible comfort – the comfort provided us by 21st century accoutrements so many of us have grown to take for granted. Whether we are aware of it or not, each of our actions leave a ma

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Phil Tippett Launches "Mad God (Part 2)" Kickstarter

In 2012, Phil Tippett ( Empire Strikes Back , Indiana Jones , and is ILM veteran), along side of a small group of dedicated volunteers Kickstartered, storyboarded, shot, and edited, his passion project Mad God . Now, comes the 2 part in this four part epic. In the Kickstarter video for Mad God Part 2 , Phil announces that there will be four parts in this epic. I find it very funny the way he puts this though, "I got four parts. Four parts, and I know what I'm doing! I'm not making it up as I go along, (laughs), honestly! His goal for the sequel is to raise $60,000. Though there is a number of stretch goals he has incorporated, for instance, if Mad God Part 2 raise $70,000, all backers receive a 'family photo' of Phil and his crew. Today is day 29 of the total 30 day campaign, and they have raised $1,500 so far. I recommend supporting this project. If you haven't yet watched the first part of Mad God , you can do so by going to their website (link b

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Short Flicks: Bent Image Lab's "Fruity Pebbles"

What could be better than starting your day off with part of a whole breakfast, Fred Flintstone, and Stop Motion? We couldn't think of anything either. Nevertheless, these awesome commercials/BTS will bring out the kid, and nerd, in all of us. Directed by Rob Shaw for the incredible Bent Image Lab (a studio that just moved to Manhattan , by the way), these TV spots encapsulates everything we know and love about the modern stone-age Flintstone family who establish how we now think of Prehistoric times. Fire House : http://vimeo.com/45991027 Cocoa Pebbles "Fire Hose" from Bent Image Lab on Vimeo . Cop Rock : http://vimeo.com/42010097 Cocoa Pebbles "Cop Rock" from Bent Image Lab on Vimeo .

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A Trip to the Moon!!

Today, on Stopmotion geek we are going old school, and I really mean old school. Why this is so old is that were discovering, well, your discovering, I'm giving you info that I already know, so, you know, not really discovering... so what, I can rediscover, mmmhun! Georges Melies, was the first-ever Stop Motion animator, in fact, he invented Stop Motion; therefore, we'll

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Interview with Ru Kuwahata and Max Porter, Directors of Oscar® Nominated Stop Motion Short Film, "Negative Space"

Sam walks to his car in Negative Space . Source: Vimeo. Across the Baltimore-based director-duo Ru Kuwahata and Max Porter’s Oscar® nominated short film Negative Space ’s 5 minute runtime, rooted in the profoundly emotional soil of the film’s essence , an extraordinary spectrum of deep themes are explored – death, grief, what one’s childhood means once one has “grown up” – yet perhaps none are as front-and-center than that which binds all of the film’s themes together: that of the relationship between father and son. Negative Space , a film inspired by a 150-word poem of the same by Ron Koertge , is, at its heart, the story of Sam, a young man, as he internally processes his relationship with his father throughout his life as well as the grief and emotion that come with the loss of his father as he travels to his recently-passed father’s funeral. Sam looks upon a toy taxicab in Negative Space . Source: Vimeo. Undoubtedly the primary visual motif as well as the crux of t

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Frankenweenie armatures

These are armatures and puppets from the Tim Burton film "Frankenweenie."

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Interview with Mark Smith, Director and Writer of Stop Motion Short Film, "Two Balloons"

A still from Two Balloons featuring the character of Elba. Photo courtesy of Mark Smith. As I sit, listening to Peter Broderick’s moving composition for piano More Of A Composition , I close my eyes and envisage an enormous funnel cloud skimming across the crystalline face of an ocean – the skies are murky and unusually dark, lightning crackles, spider-webbing across the darkened skies before then vanishing, and still, after its gone, an electricity continues to hum in the air and I simply know that it’s going to soon strike again. And as the scene presents itself to me, I suddenly feel something similar to what director Mark C. Smith felt when he saw the same image as he sailed to a small island called Grenada along with his wife in a timeworn sailboat. For him, in that moment inspiration struck, and the idea suddenly came to him for his heartfelt stop motion film, Two Balloons . For me, I open my eyes and feel as I did the instant Two Balloons faded to black – as if I’ve j

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Best Book for Stop Motion Enthusiasts?

So help me, I can not figure out why I'm not putting this post in the FAQs page. Still, here it goes. A question that I probably get asked the most is: "I don't have a ton of money to put to Stop Motion, but I need to know exactly what to do. Is there a good website or book that can help me?" Dear (Joe, maybe) [Stop Motion enthusiast], The book you should look into getting is

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