Skip to main content

iStopMotion 3.5 Review

Now, obviously my favorite way of reviewing software is to get to the dirt n' grit of it all.  And by that I mean shoot a Test Animation and export into a GIF.  (GIF is a new format that you can export your project in).  Though I wanted it to remain high-res so I uploaded it to Vimeo.  I'll email it to you in GIF form if you really want to see it though, email me at chefelepsy@gmail.com.  Now the definition of a GIF (Graphics Interchange Format) is, and I'll quote Wikipedia here:
"The Graphics Interchange Format (better known by its acronym GIF; /ˈdʒɪf/ or /ˈɡɪf/) is a bitmap image format that was introduced by CompuServe in 1987[1] and has since come into widespread usage on the World Wide Web due to its wide support and portability.
The format supports up to 8 bits per pixel for each image, allowing a single image to reference its own palette of up to 256 different colors chosen from the 24-bit RGB color space. It also supports animations and allows a separate palette of up to 256 colors for each frame. These palette limitations make the GIF format unsuitable for reproducing color photographs and other images with continuous color, but it is well-suited for simpler images such as graphics or logos with solid areas of color.
GIF images are compressed using the Lempel-Ziv-Welch (LZW) lossless data compression technique to reduce the file size without degrading the visual quality. This compression technique was patented in 1985. Controversy over the licensing agreement between the software patent holder, Unisys, and CompuServe in 1994 spurred the development of the Portable Network Graphics (PNG) standard. All the relevant patents have now expired."
Therefore:
  • "GIFs can be used for small animations and low-resolution film clips."
Pretty cool, and great for sites like Tumblr, Twitter, Facebook, and it emails well also.

I made this short animation in a matter of 40 minutes of messing around with my Christmas tree and clay...


Clay Figure Animation from SMG on Vimeo.

I gotta say, sorry for the shakiness, I was using the remote camera
for the iPad with a bad tripod.  Again, I filmed it on the fly.  Christmas trees don't like to stay still very much...

Also, I shot this commercial (or entry for a commercial contest for Tech Deck), and have stayed quiet about it for sometime now.  But, I think that it's safe to show you guys it now.  They'll be announcing the winner the 20th so, fingers crossed..

Bus Stop Fun (Tech Deck Commercial) from SMG on Vimeo.

There is honestly not much to say that hasn't been said in my first review and my app review.  Just that I love it and the GIF support is great.  Also, for a while now I have been using the iStopMotion app and it is fantastic!  I cannot recommend it more.  Guys, one more thing: there is a DSLR live view option now!  So the Canon camera's have live view!  It's the goodness!

Boinx website: http://boinx.com/istopmotion/mac/

Comments

Popular posts from this blog

CGI/ Stop Motion "The Little Prince" Trailer is Here

Mark Osborne's ( Kung Fu Panda ) has released the first trailer for his next movie The Little Prince.  The trailer is spectacular.  The film is a mix of 2D hand drawn, paper cut-out Stop Motion, puppet Stop Motion, and CGI.  Which is pretty risky in this day and age.  Now, anything with 2D or Stop Motion is an immediate red-flag; needless to say, this film (the Stop Motion side of it) will be beautiful.  Although in the trailer we see a CGI little girl imagine a hand drawn plane, which turns into a paper cut-out plane, and then morphs into a Stop Motion puppet that becomes The Little Prince.  CGI, in my opinion, was not the way to go with this project -- or so I thought.  Now that I see the fusion process in realtime my view has shifted a little.  Although my rule still stands, if you don't have a huge budget for CGI then don't do it !  The Little Prince trailer, though, did still pull it off; yes, it could be tweaked, but I have confidence ...

Interview with Samuel Lewis - Animator, Character Designer, and Sculptor on Stop Motion Short Film, "Lost & Found"

Knotjira, a clumsy dinosaur made of wool, as seen in Lost & Found . Photo courtesy of Andrew Goldsmith. “If I had to pick a starting point for my career as a stop motion animator I would have to say it was my obsession as a six year old with a book called ‘Playing with Plasticine’ by Barbara Reid,” Samuel Lewis – a London-based stop motion and 2D animator and director, whose most recent labor of love can be seen in his contribution to the Australian stop motion short film, Lost & Found – tells Stop Motion Geek. Upon reflection, Lewis explains that his love for the medium of stop motion began very early in life, and has merely managed to burn ever brighter in his fervor to master the craft. “I would spend countless hours fixated on sculpting tiny snails, fruit bowls and dinosaurs to the point where I would stay inside on family holidays sculpting a surfer in a beach scene rather than going to the actual beach that was only a short walk away,” Lewis recalls wistfully. “...

Vincent & Puppet Scales

Tim Burton's Vincent  is a masterpiece; the short was animated by the brilliant Stephen Chiodo .  I do love that the short was shot in black and white film, ask any true film-lover and

Short Flicks: Bent Image Lab's "Fruity Pebbles"

What could be better than starting your day off with part of a whole breakfast, Fred Flintstone, and Stop Motion?  We couldn't think of anything either.  Nevertheless, these awesome commercials/BTS will bring out the kid, and nerd, in all of us.  Directed by Rob Shaw for the incredible Bent Image Lab (a studio that just moved to Manhattan , by the way), these TV spots encapsulates everything we know and love about the modern stone-age Flintstone family who establish how we now think of Prehistoric times. Fire House :  http://vimeo.com/45991027 Cocoa Pebbles "Fire Hose" from Bent Image Lab on Vimeo . Cop Rock :  http://vimeo.com/42010097 Cocoa Pebbles "Cop Rock" from Bent Image Lab on Vimeo .

Interview with Matt Bollinger, Painter and Animator Behind Stop Motion/Painting Hybrid Short Film "Between the Days," a Beautiful Portrait of Routine, Unfulfillment, and Despair in Middle America

"Before Work" finished painting featured in  Between the Days . Photo courtesy of Matt Bollinger.  Often – far too often – we forget the true weight of our actions, our everyday decisions, ranging from those big to small. And, in forgetting, we forget ourselves – who we truly are, where we have been, what we have done, how we have gotten here, to this very place in this very moment. For we are nothing if not the sum total of all our decisions, our actions…even the most minute, even those – perhaps especially those – made in the thrumming humdrum of the everyday: the act of rising from our bed and reaching over to flick off the alarm resting on our bedside table, lighting a cigarette, collecting yesterday’s trash before moving on to more, equally menial tasks. Moments spent alone, in ostensible comfort – the comfort provided us by 21st century accoutrements so many of us have grown to take for granted. Whether we are aware of it or not, each of our actions leave a ma...

A Screen Novelties Christmas Present, to Us!

I check my email and I see... Property of Screen Novelties  This gets an ' ohmygosh ' reaction from me; which doesn't happen every day for one who loves his internet tidbits.  Oh, I almost forgot, I have been deprived my internet due to an ice storm that happened last morn, just thought I would throw that in there... For those of you who know me personally, you will notice after watching this [Screen Novelties] is breaking new ground.  I have been saying that if Screen Novelties works hard enough they will be the next Laika.  I believe in you guys! So anyhow check it out right here:  http://screen-novelties.com/greetings-from-krampus/#.UrjRCNJDuuJ Screen Novelties website:  http://screen-novelties.com/ "A Krampus Christmas" eCard from Screen Novelties on Vimeo .

"Cloudy With a Chance of Meatballs 2" End Credits

A few nights ago I sat down and watched the sequel to Cloudy With a Chance of Meatballs ; correctly titled Cloudy With a Chance of Meatballs 2 .  And, I must say... it was enjoyable and entertaining.  Though the first film was comedic brilliance animated, dubbed, and packed in a box we like to call a movie.   Cloudy 2 wasn't any where near as good as the first one but on the other hand the original directors/writers of the first film, Phil Lord and Chris Miller didn't direct the sequel.  But they are the creative team behind the recently released The Lego Movie .  Which looks great and is getting incredibly positive reviews from the critics.  So, i am excited to partake in that movie experience.  All the 'end credits' work was done by the amazing people over a Screen Novelties. Lots of cool stuff here in the end credits including grown men in strawberry suits, puppets, and of course, Stop Motion.  So grab a snack and enjoy! Link:  http:...

Interview with Mark Smith, Director and Writer of Stop Motion Short Film, "Two Balloons"

A still from Two Balloons featuring the character of Elba. Photo courtesy of Mark Smith. As I sit, listening to Peter Broderick’s moving composition for piano  More Of A Composition , I close my eyes and envisage an enormous funnel cloud skimming across the crystalline face of an ocean – the skies are murky and unusually dark, lightning crackles, spider-webbing across the darkened skies before then vanishing, and still, after its gone, an electricity continues to hum in the air and I simply  know  that it’s going to soon strike again. And as the scene presents itself to me, I suddenly feel something similar to what director Mark C. Smith felt when he saw the same image as he sailed to a small island called Grenada along with his wife in a timeworn sailboat. For him, in that moment inspiration struck, and the idea suddenly came to him for his heartfelt stop motion film,  Two Balloons . For me, I open my eyes and feel as I did the instant  Two Balloons  ...

Interview with Lucy J. Hayes, Producer of Stop Motion Love Story, "Lost & Found"

Knitsune in Lost & Found . Photo courtesy of Andrew Goldsmith. Ever since her childhood, Lucy J. Hayes – the producer of Lost & Found , an extraordinarily beautiful short film that make for a profound mediation on the impermanence and imperfection of life and beauty – she’s wanted to play some part in the creative industry, in some way, shape, or form. For Hayes, that dream went unquestioned. However, the challenge turned out to be figuring out quite where she belonged in the creative industry. “I dabbled in acting and directing, however, I was terrible!” Hayes tells Stop Motion Geek. It wasn’t until she began to put on plays with her friends in her adolescence and early adulthood that the answer to her search dawned upon her: All that Hayes found came innately to her – everything from her ardor for creative work to her love for working with creatives to bring an idea, the kernel of a story, to fruition – she found in the title of “producer.” Knotjira (left) and...

Interview with Bradley Slabe, Co-Director of Stop Motion Love Story, "Lost & Found" (Part 1/2 of Interview with "Lost & Found" Directors)

Knotjira (foreground) and Knitsune (background) in Lost & Found . Photo courtesy of Andrew Goldsmith. The true essence of art – a reflection of life itself – is very much akin to the Japanese aesthetic of “wabi-sabi”: it’s imperfect, impermanent, and, at times, profoundly...incomplete. It is both at once a fundamental truth, and, curiously, more often than not, a thing incredibly hard to acknowledge, to make peace with. Yet perhaps our resistance is justifiable, for once we admit that the world is full of unknowns – unknowns that aren’t ideal, that aren’t perfect – we are just as soon confronted with the actualization of a deep, intrinsic, and very human fear: the fear of a future full of...unknowns that aren’t ideal, that aren’t perfect. Yet it’s the confrontal of that fear that is the most terrifying reality of all, for the moment we make peace with it we have just as soon have acknowledged that our paths in life aren’t in our own hands, or something we can contro...