Skip to main content

"Cicada Princess" & "Sasquatch Rides!"

I'd like to say first of all, this is SMG's 200th post!  So happy 200th everyone!  I'd share my celebration cake with you but it doesn't share, Google +, post, or another type of virtual sharing very well...

My first [short flick] internet find is this really awesome music video entitled Cicada Princess.  It has a Short of The Week award [http://www.shortoftheweek.com].  Which you can find the webpage here: http://www.shortoftheweek.com/2014/01/22/cicada-princess/.  The film's composition was by Jesse Solomon Clark.  Fantastic soundtrack!  I will say with the utmost certainty, Clark's performance has a certain brilliance in the music, it just speaks to your heart in a weird way.  Cicada Princess, and I'm just going to say it straight: is a beautiful epic.  Also, it's not Stop Motion!  It's puppetry!  Some of the most beautiful puppetry I've seen since Jim Henson passed anyway.  The film has a very beautiful and poetic narration, which is by Stephen Fry.  Princess includes magnificent lines like:
"Most folks, spend a lifetime looking for something.  Cicadas have but two days... two nights..."

Link: http://vimeo.com/84058031

Cicada Princess from Jesse Solomon Clark on Vimeo.
For a list of the full credit's go to http://www.imdb.com/title/tt2474128/?ref_=ttfc_fc_tt.


Next short film pick is Sasquatch Rides!  Now this short is actually Stop Motion, and has some of the best charter animation I've seen in a music video.  It would seem that every two years or so we will get a great, interesting, slightly obscure video for slightly obscure music.  Stop Motion is... appropriate, in the case of this film's storytelling aspect.  I also think that the harry eyeball with eyes is one of the coolest puppets with fur that I've seen in a while.  The puppets were made, and the film was directed by Lars C Larsen.  Dragon frame blog reports:

"Lars was a set-builder for Coraline and is currently a rigger on Boxtrolls."

Which I find to be very intriguing and, promising.  Lars just might be the next Phil Tippett!

Music video: http://vimeo.com/83991375
Sepia Tones website: http://sepiatones.bandcamp.com

Sasquatch Rides! from Lars C Larsen
Music and Production Design By: Tobin Robinson
Animated By: Suzanne Twining
Directed by: Lars C Larsen
Produced by: nanofarm.tv
Scenic elements: Charles Daniels
Puppets: Tobin Robinson and Lars C Larsen
Compositing: Suzanne Twining, Lars C Larsen
Drums and Track: Andrew Hodgson at the Shire
Mix: Antreo Pukay at Tell Tail Recording, Portland, Oregon
Super Big Thanks to: DOA, Anne Mueller, Mighty Pug, Heather Henson, Mark Mueller, Morgan Hay, The Achiever's Board, Rob Shaw, Molly Grebens, Omphemetse Olesitse

Comments

Post a Comment

Popular posts from this blog

Interview with Bram Meindersma, Composer and Sound Designer of Oscar® Nominated Stop Motion Short Film, "Negative Space"

Sam and his father, from Negative Space . Source: Vimeo. Unlike practically every other medium, film has the unique aesthetic of being composed of the elements of sound and image, and, curiously, whenever watching a film, the two blend together into something of an impeccably hybridized concoction. With as much influence as sound has over the audience’s final experience of any given film, composer and sound designer Bram Meindersma’s work on the Oscar-nominated stop motion short film Negative Space – directed by Ru Kuwahata and Max Porter – proves an endlessly fascinating and extraordinary case study, as it uses sound – both its soundtrack as well as every other element of sound design – only sparingly and in subtle ways, one that could almost be called conservative. Yet it is perhaps just that component of its sound design that, at least in part, makes the film such a powerful one. Perhaps the reason why Meindersma’s delicate work on Negative Space is so powerful is i
Post a Comment
Read full article »

"Cloudy With a Chance of Meatballs 2" End Credits

A few nights ago I sat down and watched the sequel to Cloudy With a Chance of Meatballs ; correctly titled Cloudy With a Chance of Meatballs 2 .  And, I must say... it was enjoyable and entertaining.  Though the first film was comedic brilliance animated, dubbed, and packed in a box we like to call a movie.   Cloudy 2 wasn't any where near as good as the first one but on the other hand the original directors/writers of the first film, Phil Lord and Chris Miller didn't direct the sequel.  But they are the creative team behind the recently released The Lego Movie .  Which looks great and is getting incredibly positive reviews from the critics.  So, i am excited to partake in that movie experience.  All the 'end credits' work was done by the amazing people over a Screen Novelties. Lots of cool stuff here in the end credits including grown men in strawberry suits, puppets, and of course, Stop Motion.  So grab a snack and enjoy! Link:  http://vimeo.com/85201368 End C
Post a Comment
Read full article »

Interview with Gerald Thompson, Director of Photography and Motion Control Artist on Australian Stop Motion Short Film "Lost & Found"

Knitsune in Lost & Found . Photo courtesy of Andrew Goldsmith. Early on, while growing up in Adelaide, South Australia, Gerald Thompson – motion control artist and director of photography on the beautiful and heartfelt Australian short film Lost & Found – developed an interest in photography, and it didn’t take very long for him to became enamored with making “epic” Super 8 films with his friends. Knotjira (left) and Knitsune (right) in Lost & Found . Photo courtesy of Andrew Goldsmith. An engineer at heart – having gone on to design numerous motion control rigs as well as an incredible robot that interacts in real time with a dancer and musician – the element of filmmaking that Thompson found the most ardor remains the technical side of film’s craft, especially in the realm of special effects, specifically practical effects (for when Thompson – now a veteran in the special effects industry – began, CGI was still only in early stages of development, an
Post a Comment
Read full article »

Interview with Samuel Lewis - Animator, Character Designer, and Sculptor on Stop Motion Short Film, "Lost & Found"

Knotjira, a clumsy dinosaur made of wool, as seen in Lost & Found . Photo courtesy of Andrew Goldsmith. “If I had to pick a starting point for my career as a stop motion animator I would have to say it was my obsession as a six year old with a book called ‘Playing with Plasticine’ by Barbara Reid,” Samuel Lewis – a London-based stop motion and 2D animator and director, whose most recent labor of love can be seen in his contribution to the Australian stop motion short film, Lost & Found – tells Stop Motion Geek. Upon reflection, Lewis explains that his love for the medium of stop motion began very early in life, and has merely managed to burn ever brighter in his fervor to master the craft. “I would spend countless hours fixated on sculpting tiny snails, fruit bowls and dinosaurs to the point where I would stay inside on family holidays sculpting a surfer in a beach scene rather than going to the actual beach that was only a short walk away,” Lewis recalls wistfully. “
Post a Comment
Read full article »

Vincent & Puppet Scales

Tim Burton's Vincent  is a masterpiece; the short was animated by the brilliant Stephen Chiodo .  I do love that the short was shot in black and white film, ask any true film-lover and
Post a Comment
Read full article »

Interview with Florian Guillaume, Co-Director of "Magic Shoe: Episode 3"

The London-based rock band El Deyma has begun to release via their YouTube channel a series of serialized multi-media music videos entitled “The Magic Shoe,” in which each instalment features one of their songs. Each episode features a different cinematographic technique, so far having explored both live action and two styles of stop motion. Each video features the next chapter in an on-going narrative about a red shoe’s search for his twin, beginning – in episode one – in the bedroom of it’s owner, before the shoe eventually hits the streets of London in its quest, which is where the second episode – a live action piece – begins. The third episode , which is this week’s Stop Motion Geek “pick of the week,” follows the shoe’s exploits through a surreal, collage-style, stop-motion version of Venice, the soundtrack to which is the band’s song “Dino Monkey.” The original idea for the Magic Shoe series (originally conceived for what became episode one, featuring El Deyma’s song,
Post a Comment
Read full article »

Behind the Scenes of "Robocop 2" at Tippett Studios and how "Jurassic Park" Changed Special Effects Forever

A depressingly large percentage of Hollywood movies boast a gratuitous amount of potential and possibility and yet, for one reason or another, often fall far, far too short to live up to the films they seem to have the potential of being. Although it’s a shame that many of these films have a stupendous level of production value and talent but are often often overlooked, as production value and talent are seen as secondary and supplementary to a quality story – the special effects work done on such second-rate films sadly go unrecognized the most often. An immutable fact stands strong – mediocre films, no matter the level of talent and amount of time poured into producing their special effects, are seen and remembered as nothing but wasted potential…or worse. Yet few box office bombs have had special practical effects work as groundbreaking, especially in the stop motion realm, and yet unfortunately remains unrecognized in every respect than the 1990 film Robocop 2 , both an irrefutabl
Post a Comment
Read full article »

Short Flicks: Bent Image Lab's "Fruity Pebbles"

What could be better than starting your day off with part of a whole breakfast, Fred Flintstone, and Stop Motion?  We couldn't think of anything either.  Nevertheless, these awesome commercials/BTS will bring out the kid, and nerd, in all of us.  Directed by Rob Shaw for the incredible Bent Image Lab (a studio that just moved to Manhattan , by the way), these TV spots encapsulates everything we know and love about the modern stone-age Flintstone family who establish how we now think of Prehistoric times. Fire House :  http://vimeo.com/45991027 Cocoa Pebbles "Fire Hose" from Bent Image Lab on Vimeo . Cop Rock :  http://vimeo.com/42010097 Cocoa Pebbles "Cop Rock" from Bent Image Lab on Vimeo .
Post a Comment
Read full article »

MAD - Spy vs. Spy

We all love the brilliant original comic strip Spy vs. Spy, that's has been around, who knows how long, is in stopmo!
Post a Comment
Read full article »

Interview with Matt Bollinger, Painter and Animator Behind Stop Motion/Painting Hybrid Short Film "Between the Days," a Beautiful Portrait of Routine, Unfulfillment, and Despair in Middle America

"Before Work" finished painting featured in  Between the Days . Photo courtesy of Matt Bollinger.  Often – far too often – we forget the true weight of our actions, our everyday decisions, ranging from those big to small. And, in forgetting, we forget ourselves – who we truly are, where we have been, what we have done, how we have gotten here, to this very place in this very moment. For we are nothing if not the sum total of all our decisions, our actions…even the most minute, even those – perhaps especially those – made in the thrumming humdrum of the everyday: the act of rising from our bed and reaching over to flick off the alarm resting on our bedside table, lighting a cigarette, collecting yesterday’s trash before moving on to more, equally menial tasks. Moments spent alone, in ostensible comfort – the comfort provided us by 21st century accoutrements so many of us have grown to take for granted. Whether we are aware of it or not, each of our actions leave a ma
Post a Comment
Read full article »