Skip to main content

YouTube, Vine, Instagram, and the 2014 Animation Tide-Change

Quick!  Name all of the names of the animation endorsing channels on TV! -Let's see, Fox, Comedy Central, Hub, Cartoon Network/[adult swim], Disney Channel, uhhh...drawing a blank here guys.  If you think about it for just a second of two, you'll realize what a rare comedy it is to find actually good animated entertainment.  Whether it's today, or 20 years ago when all animation was broadcast Saturday mornings and Sunday nights, today, mostly crap television, then, mostly crap television.  My point is NOTING has changed!  Right?  Wrong!  I'm sure at this point you are intimintly familiar with YouTube, Vine, and the overwhelming amount of video-sharing social networks.  Well, within the past 2 years, animation, and should I add actually good animation, has started to have a tide-change, thanks to these social networking platforms.
Cartoon Network's Steven Universe, which premiered last year



Just a few months ago, Starburns Industries/[adult swim] released a full episode of their recently premiered show, Rick and Morty, through Instagram video.  This was done through putting out over 100 15-second clips that, when marathon watched one after another, strings together a 22-minute (a full half-hour show in TV time), big budget episode of the show


In mid-January of last year, twitter and Instagram released a very similar video sharing service, Twitter, a 6-second looping video network, which could be taken by using their app for smartphones.  Instagram, a 15-second looping video network, that can also be taken via iPhone and Android devices.  Though unlike Twitter, you can upload a video to your phone, so it doesn't have to be taken with just your phone camera.




Since then, I have seen countless Stop Motion and 2d animations made possible through these platforms.  Their traction has on the internet has, and will keep doubling, and doubling, and doubling.

I have seen Vine grow a considerable amount faster than Instagram video, though.  But who's to say suddenly Instagram video won't suddenly grow a mile high traction wise tomorrow?

The channel that can take the most credit for the tide-change on YouTube, and let's not remember YouTube is the one who has really caused these other networks to work, is Cartoon Hangover.  Cartoon Hangover, was started by Fred Seibert, also founder of Frederator Studios.  His company can take responsibility/credit for shows such as the Pop cutler phenomenon, Adventure Time, as well as The Fairly OddParents, and Bravest Warriors.
Created by Pendleton Ward, Bravest Warriors remains the most successful cartoon on Cartoon Hangover to date

Launched mid-2012, CH has continued to produce TV quality shows for free!  Where they make money is their merchandising, a huge money maker business to get into when creating a cult show.  If you don't know the name Cartoon Hangover, chances are that you've probably seen one of their videos (Bravest Warriors, Rocket Dog, Bee and PuppyCat).
Bee and PuppyCat, accumulated over $850,000 in their 30-day Kickstarer campaign

A couple weeks ago, Frederator purchased Simon's Cat.  A flash animation made strictly for YouTube.  Simon's Cat was created by a British animator named Simon Tofield.  The show?  Think Garfield minus the talking.  SC has expanded past YouTube into merchandise and multi-laungage book.  The channel currently has almost 3,000,000 subscribers since it's launch in 2009.
Simon's Cat, and his owner

And that is just the tip of the iceberg.  I'll keep this concise for time's sake, The Cyanide & Happiness Show crowd funded $770,309 through Kickstarter.  And now, it has hundreds of millions of views.  Another Kickstarter success story, Baman Piderman just raised almost $80,000!  Remember, it's not a production house, it's 2 people sitting in front of computers!  All of these, some monthly, some even weekly, YouTube shows!
Baman Piderman raised over $80,000 last month on Kickstarter for 5 episodes to be shown as a YouTube show

To bring my point home on this tide-change fact, big Hollywood companies are starting to cash into this YouTube business too.  DreamWorks Animation (Shrek, How to Train Your Dragon, Madagascar) just launched their own YouTube only channel, DreamWorksTV.  Where they'll start posting seasons of shows strictly for YouTube.  Some originals, some featuring characters that we already know and love like Shrek.  This is actually happening!


These are my thoughts on this subject, but if you do some Googling, you'll find others who have similar feelings as I.  I'm going to leave with one statement 'YouTube, the next television.'

Comments

Popular posts from this blog

Interview with Samuel Lewis - Animator, Character Designer, and Sculptor on Stop Motion Short Film, "Lost & Found"

Knotjira, a clumsy dinosaur made of wool, as seen in Lost & Found . Photo courtesy of Andrew Goldsmith. “If I had to pick a starting point for my career as a stop motion animator I would have to say it was my obsession as a six year old with a book called ‘Playing with Plasticine’ by Barbara Reid,” Samuel Lewis – a London-based stop motion and 2D animator and director, whose most recent labor of love can be seen in his contribution to the Australian stop motion short film, Lost & Found – tells Stop Motion Geek. Upon reflection, Lewis explains that his love for the medium of stop motion began very early in life, and has merely managed to burn ever brighter in his fervor to master the craft. “I would spend countless hours fixated on sculpting tiny snails, fruit bowls and dinosaurs to the point where I would stay inside on family holidays sculpting a surfer in a beach scene rather than going to the actual beach that was only a short walk away,” Lewis recalls wistfully. “...

Interview with Ru Kuwahata and Max Porter, Directors of Oscar® Nominated Stop Motion Short Film, "Negative Space"

Sam walks to his car in Negative Space . Source: Vimeo. Across the Baltimore-based director-duo Ru Kuwahata and Max Porter’s Oscar® nominated short film Negative Space ’s 5 minute runtime, rooted in the profoundly emotional soil of the film’s essence , an extraordinary spectrum of deep themes are explored – death, grief, what one’s childhood means once one has “grown up” – yet perhaps none are as front-and-center than that which binds all of the film’s themes together: that of the relationship between father and son. Negative Space , a film inspired by a 150-word poem of the same by Ron Koertge , is, at its heart, the story of Sam, a young man, as he internally processes his relationship with his father throughout his life as well as the grief and emotion that come with the loss of his father as he travels to his recently-passed father’s funeral. Sam looks upon a toy taxicab in Negative Space . Source: Vimeo. Undoubtedly the primary visual motif as well as the crux of t...

Interview with Bradley Slabe, Co-Director of Stop Motion Love Story, "Lost & Found" (Part 1/2 of Interview with "Lost & Found" Directors)

Knotjira (foreground) and Knitsune (background) in Lost & Found . Photo courtesy of Andrew Goldsmith. The true essence of art – a reflection of life itself – is very much akin to the Japanese aesthetic of “wabi-sabi”: it’s imperfect, impermanent, and, at times, profoundly...incomplete. It is both at once a fundamental truth, and, curiously, more often than not, a thing incredibly hard to acknowledge, to make peace with. Yet perhaps our resistance is justifiable, for once we admit that the world is full of unknowns – unknowns that aren’t ideal, that aren’t perfect – we are just as soon confronted with the actualization of a deep, intrinsic, and very human fear: the fear of a future full of...unknowns that aren’t ideal, that aren’t perfect. Yet it’s the confrontal of that fear that is the most terrifying reality of all, for the moment we make peace with it we have just as soon have acknowledged that our paths in life aren’t in our own hands, or something we can contro...

Aardman Co-Founder David Sproxton's Tips for Success in the Animation Industry, Part 1 (of 3): 3 Pre-Production Tips

Aardman founders David Sproxton (left) and Peter Lord (right) standing in front of Wallace & Gromit set for Variety (Photo by Charlie Gray) “It all started at a kitchen table,”  says co-founder of Aardman Animations, David Sproxton,  about the beginning of his career in animation, “Pete [Peter Lord] and I met as schoolkids….Pete and I got to be great mates and we started playing and thinking up stories. I was always interested in photography and kind of, I guess, the process thing about films….One day we got out the Bolex, stuck it up on a stand and actually just cut images out of color supplements. We’d obviously watched programs like  Vision On , which obviously used a plethora of styles. Cut out is the easiest thing to do. We didn’t really understand cel animation or actually how you drew stuff. We just moved stuff around and did stuff with chalk drawings.” Earlier this year, Aardman, in celebration of the 40th anniversary of their studio,  released a ...

Gumby Fest Brings in the Biggest Names in Stop Motion

On June 14th 2014 the first ever Gumby Fest, a major film festal and celebration for Stop Motion animation will be taking place in Glendora, CA.  Below is a reprint article from the press release from their blog announcing their world-class Stop Motion guests... Academy Award-Winner Rick Baker Joins ‘Meet Gumby’s Gang’ Panel at Inaugural Gumby Fest in Glendora on June 14 Animators for ‘The Nightmare Before Christmas,’ ‘Robot Chicken’ ‘Coraline’ to share stories from the Gumby studios Glendora, CA –  Academy Award-winner Rick Baker will join the “Meet Gumby’s Gang” panel at the premier Gumby Fest to be held June 14 in Glendora, California. Gumby, the world’s original clayboy and pop-culture legend who starred in more than 230 TV episodes and a movie, “grew up” in Glendora, where the iconic TV series was produced from 1960 to the late 1970s by Clokey Productions. The celebration of all-things Gumby as well as stop-motion animation will take place on the grounds of Gl...

Interview with Joseph Wallace, Director and Animator of Psychedelic, Cut-out Stop Motion Music Video for Canadian Artist Parker Bossley's "Chemicals"

Parker Bossley as seen in Chemicals . Photo courtesy of Joseph Wallace. “I think the thing I’ve always found wonderful about cut out animation is that it’s one of the most immediate forms of animation,” muses British stop motion animation director Joseph Wallace – currently based in Bristol, UK, where, in January of this year, he founded the stop motion studio Hangar Puppet Animation Studio – in discussion of the medium he employed in his most recent film – the surreal, psychedelic music video for Canadian artist Parker Bossley’s debut single, Chemicals , which has already won a Vimeo Staff Pick. Perhaps more than anything else – perfectly suiting the film’s subject matter –the style and medium allow to film to transcend to time itself, just as Wallace implies, undoubtedly allowing the film to become just that – immediate. Almost so much so one gets the feeling they’re clawing at air in search for a handle on reality as they fall…along with Bossley – also the film’s protagoni...

Interview with Heather Colbert, Filmmaker Behind The Music Video for Tom Rosenthal’s “How Have You Been?”

Hypnos looking on at the moon. Photo courtesy of Heather Colbert. “After talking with Tom, I just let the track play, while I drew or noted down ideas that came into my head,” Heather Colbert—a Bristol-based animator and filmmaker—tells Stop Motion Geek about the origins of her newest project: creating, almost single-handedly, the music video for English singer-songwriter Tom Rosenthal’s “How Have You Been?”—a haunting and beautiful acapella piece off his latest album, Z-Sides . “He told me the album was about sleep and so the images that came to me were of nocturnal and natural things. I also saw a connection in the beautiful lyrics to a character living with mental health issues, especially in the line ‘I woke up, but it didn’t go away’. So I began to see a creature trying their best to get on with their task, but being hindered by the fear of the world that they inhabit.” Hypnos (left) and Shadow (right) in the film. Photo courtesy of Heather Colbert. The third musi...

Behind the Scenes of "Robocop 2" at Tippett Studios and how "Jurassic Park" Changed Special Effects Forever

A depressingly large percentage of Hollywood movies boast a gratuitous amount of potential and possibility and yet, for one reason or another, often fall far, far too short to live up to the films they seem to have the potential of being. Although it’s a shame that many of these films have a stupendous level of production value and talent but are often often overlooked, as production value and talent are seen as secondary and supplementary to a quality story – the special effects work done on such second-rate films sadly go unrecognized the most often. An immutable fact stands strong – mediocre films, no matter the level of talent and amount of time poured into producing their special effects, are seen and remembered as nothing but wasted potential…or worse. Yet few box office bombs have had special practical effects work as groundbreaking, especially in the stop motion realm, and yet unfortunately remains unrecognized in every respect than the 1990 film Robocop 2 , both an irrefutabl...

Interview with Lucy J. Hayes, Producer of Stop Motion Love Story, "Lost & Found"

Knitsune in Lost & Found . Photo courtesy of Andrew Goldsmith. Ever since her childhood, Lucy J. Hayes – the producer of Lost & Found , an extraordinarily beautiful short film that make for a profound mediation on the impermanence and imperfection of life and beauty – she’s wanted to play some part in the creative industry, in some way, shape, or form. For Hayes, that dream went unquestioned. However, the challenge turned out to be figuring out quite where she belonged in the creative industry. “I dabbled in acting and directing, however, I was terrible!” Hayes tells Stop Motion Geek. It wasn’t until she began to put on plays with her friends in her adolescence and early adulthood that the answer to her search dawned upon her: All that Hayes found came innately to her – everything from her ardor for creative work to her love for working with creatives to bring an idea, the kernel of a story, to fruition – she found in the title of “producer.” Knotjira (left) and...

Interview with Angela Poschet, Production Supervisor on "Isle of Dogs"

Angela Poschet. Source: http://en.animarkt.pl/masters/masterclasses/ “I have worked for many different producers and production companies based in different European countries, and I’ve had to adapt to the specific needs for each production,” Angela Poschet—a veteran in the stop motion industry, whose credits include production supervisor of Wes Anderson’s Isle of Dogs , head of scheduling of Tim Burton’s Oscar®-nominated film Frankenweenie , director of photography of Bob the Builder , as well as numerous others credit on feature films, television series, and commercials—tells Stop Motion Geek. “Therefore, you have to be very open and you have to approach each production individually to get it up and running for their needs and the capacity they can deal with.” Poschet began her career in the stop motion industry in 1998 as the director of photography on the preschool series Bob the Builder for BBC UK—on which she worked for three years across thirty-nine episodes. She pr...