Skip to main content

41st Annie Award Winners!

Best Animated Feature
  • Frozen - Walt Disney Animation Studios
Best Animated Special Production
  • Chipotle Scarecrow - Chipotle Creative Department, Moonbot Studios, CAA Marketing
Best Animated Short Subject

  • Get A Horse! - Walt Disney Animation Studios
Best Animated TV/Broadcast Commercial


  • Despicable Me 2 - Cinemark - Illumination Entertainment/Universal
Best General Audience Animated TV/Broadcast Production For Preschool Children


  • Disney Sofia the First - Disney Television Animation
Best Animated TV/Broadcast Production For Children’s Audience


  • Adventure Time - Cartoon Network Studios
Best General Audience Animated TV/Broadcast Production


  • Futurama - 20th Century Fox Television
Best Animated Video Game


  • The Last of Us - Naughty Dog
Best Student Film


  • Wedding Cake - Filmakademie Baden-Wuerttemberg
INDIVIDUAL ACHIEVEMENT CATEGORIES___________________
Outstanding Achievement, Animated Effects in an Animated Production
  • Jeff Budsberg, Andre Le Blanc, Louis Flores, Jason Mayer - The Croods - DreamWorks Animation
Outstanding Achievement, Animated Effects in a Live Action Production


  • Michael Balog, Ryan Hopkins, Patrick Conran, Florian Witzel - Pacific Rim - Industrial Light & Magic
Outstanding Achievement, Character Animation in an Animated Television/Broadcast Production


  • Kureha Yokoo - Toy Story OF TERROR! - Pixar Animation Studios
Outstanding Achievement, Character Animation in a Feature Production


  • Jakob Jensen - The Croods - DreamWorks Animation
Outstanding Achievement, Character Animation in a Live Action Production


  • Jeff Capogreco, Jedrzej Wojtowicz, Kevin Estey, Alessandro Bonora, Gino Acevedo - The Hobbit: An Unexpected Journey - Gollum - Weta Digital
Outstanding Achievement, Directing in an Animated TV/Broadcast Production


  • Angus MacLane - Toy Story OF TERROR! - Pixar Animation Studios
Outstanding Achievement, Directing in an Animated Feature Production


  • Chris Buck, Jennifer Lee - Frozen - Walt Disney Animation Studios
Outstanding Achievement, Music in an Animated TV/Broadcast Production


  • Christopher Willis - Disney Mickey Mouse - Disney Television Animation
Outstanding Achievement, Music in an Animated Feature Production


  • Kristen Anderson-Lopez, Robert Lopez, Christophe Beck - Frozen - Walt Disney Animation Studios'


Outstanding Achievement, Production Design in an Animated TV/Broadcast Production


  • Angela Sung, William Niu, Christine Bian, Emily Tetri, Frederic Stewart - The Legend of Korra - Nickelodeon Animation Studio
Outstanding Achievement, Production Design in an Animated Feature Production


  • Michael Giaimo, Lisa Keene, David Womersley - Frozen - Walt Disney Animation Studios
Outstanding Achievement, Storyboarding in an Animated TV/Broadcast Production


  • Daniel Chong - Toy Story of TERROR! - Pixar Animation Studios
Outstanding Achievement, Storyboarding in an Animated Feature Production


  • Dean Kelly - Monsters University - Pixar Animation Studios
Outstanding Achievement, Voice Acting in an Animated TV/Broadcast Production


  • Tom Kenny as the voice of Ice King - Adventure Time - Cartoon Network Studios
Outstanding Achievement, Voice Acting in an Animated Feature Production

  • Josh Gad as the voice of Olaf - Frozen - Walt Disney Animation Studios
Outstanding Achievement, Writing in an Animated TV/Broadcast Production

  • Lewis Morton - Futurama - 20th Century Fox Television
Outstanding Achievement, Writing in an Animated Feature Production

  • Hayao Miyazaki -The Wind Rises - Studio Ghibli/Touchstone Pictures
Outstanding Achievement, Editorial in an Animated TV/Broadcast Production

  • Illya Owens - Disney Mickey Mouse - Disney Television Animation
Outstanding Achievement, Editorial in an Animated Feature Production

  • Greg Snyder, Gregory Amundson, Steve Bloom - Monsters University - Pixar Animation Studios

    Comments

    Popular posts from this blog

    CGI/ Stop Motion "The Little Prince" Trailer is Here

    Mark Osborne's ( Kung Fu Panda ) has released the first trailer for his next movie The Little Prince.  The trailer is spectacular.  The film is a mix of 2D hand drawn, paper cut-out Stop Motion, puppet Stop Motion, and CGI.  Which is pretty risky in this day and age.  Now, anything with 2D or Stop Motion is an immediate red-flag; needless to say, this film (the Stop Motion side of it) will be beautiful.  Although in the trailer we see a CGI little girl imagine a hand drawn plane, which turns into a paper cut-out plane, and then morphs into a Stop Motion puppet that becomes The Little Prince.  CGI, in my opinion, was not the way to go with this project -- or so I thought.  Now that I see the fusion process in realtime my view has shifted a little.  Although my rule still stands, if you don't have a huge budget for CGI then don't do it !  The Little Prince trailer, though, did still pull it off; yes, it could be tweaked, but I have confidence ...

    A Screen Novelties Christmas Present, to Us!

    I check my email and I see... Property of Screen Novelties  This gets an ' ohmygosh ' reaction from me; which doesn't happen every day for one who loves his internet tidbits.  Oh, I almost forgot, I have been deprived my internet due to an ice storm that happened last morn, just thought I would throw that in there... For those of you who know me personally, you will notice after watching this [Screen Novelties] is breaking new ground.  I have been saying that if Screen Novelties works hard enough they will be the next Laika.  I believe in you guys! So anyhow check it out right here:  http://screen-novelties.com/greetings-from-krampus/#.UrjRCNJDuuJ Screen Novelties website:  http://screen-novelties.com/ "A Krampus Christmas" eCard from Screen Novelties on Vimeo .

    Interview with Mark Smith, Director and Writer of Stop Motion Short Film, "Two Balloons"

    A still from Two Balloons featuring the character of Elba. Photo courtesy of Mark Smith. As I sit, listening to Peter Broderick’s moving composition for piano  More Of A Composition , I close my eyes and envisage an enormous funnel cloud skimming across the crystalline face of an ocean – the skies are murky and unusually dark, lightning crackles, spider-webbing across the darkened skies before then vanishing, and still, after its gone, an electricity continues to hum in the air and I simply  know  that it’s going to soon strike again. And as the scene presents itself to me, I suddenly feel something similar to what director Mark C. Smith felt when he saw the same image as he sailed to a small island called Grenada along with his wife in a timeworn sailboat. For him, in that moment inspiration struck, and the idea suddenly came to him for his heartfelt stop motion film,  Two Balloons . For me, I open my eyes and feel as I did the instant  Two Balloons  ...

    Vincent & Puppet Scales

    Tim Burton's Vincent  is a masterpiece; the short was animated by the brilliant Stephen Chiodo .  I do love that the short was shot in black and white film, ask any true film-lover and

    Interview with Bradley Slabe, Co-Director of Stop Motion Love Story, "Lost & Found" (Part 1/2 of Interview with "Lost & Found" Directors)

    Knotjira (foreground) and Knitsune (background) in Lost & Found . Photo courtesy of Andrew Goldsmith. The true essence of art – a reflection of life itself – is very much akin to the Japanese aesthetic of “wabi-sabi”: it’s imperfect, impermanent, and, at times, profoundly...incomplete. It is both at once a fundamental truth, and, curiously, more often than not, a thing incredibly hard to acknowledge, to make peace with. Yet perhaps our resistance is justifiable, for once we admit that the world is full of unknowns – unknowns that aren’t ideal, that aren’t perfect – we are just as soon confronted with the actualization of a deep, intrinsic, and very human fear: the fear of a future full of...unknowns that aren’t ideal, that aren’t perfect. Yet it’s the confrontal of that fear that is the most terrifying reality of all, for the moment we make peace with it we have just as soon have acknowledged that our paths in life aren’t in our own hands, or something we can contro...

    Short Flicks: Bent Image Lab's "Fruity Pebbles"

    What could be better than starting your day off with part of a whole breakfast, Fred Flintstone, and Stop Motion?  We couldn't think of anything either.  Nevertheless, these awesome commercials/BTS will bring out the kid, and nerd, in all of us.  Directed by Rob Shaw for the incredible Bent Image Lab (a studio that just moved to Manhattan , by the way), these TV spots encapsulates everything we know and love about the modern stone-age Flintstone family who establish how we now think of Prehistoric times. Fire House :  http://vimeo.com/45991027 Cocoa Pebbles "Fire Hose" from Bent Image Lab on Vimeo . Cop Rock :  http://vimeo.com/42010097 Cocoa Pebbles "Cop Rock" from Bent Image Lab on Vimeo .

    Interview with Victor Haegelin, Director and Animator of Stop Motion Action Mini-Movie, "Captain 3D"

    Captain 3D in Haegelin's  Captain 3D . Source: Vimeo. Snatching a moment’s respite, a moment now drawing to a close, animation director Victor Haegelin—sporting wide-rimmed 3D glasses with big, red and blue lens—flips through the last few pages of a comic book boasting in big, red letters, “Captain 3D.” He reclines in a leather-backed computer chair, sitting at his desk, every inch of it crammed with something , though what exactly is anyone’s guess, stocked as it is with an animator’s lightbox, a glass jar filled to overflowing with colored pencils that lies an arm’s distance from of a litany of neatly stacked books and magazines—complete with a smattering with glossy comics coated in celluloid—the array finished off with every creator’s most essential companion: a sketch-pad and pen, the items lying closest at hand. Victor Haegelin in Captain 3D . Source: Vimeo. Victor Haegelin closing the cover on the "Captain 3D" comic in Captain 3D . Source: Vi...

    Interview with Filmmaker Hans Weise – Part of the Team Behind National Geographic's "A Fearsome Fleet: Secrets of the Vikings"

    A frame from A Fearsome Fleet: Secrets of the Vikings featuring the shipbuilder hero, Harald. Source: Vimeo. More often than not, manmade beauty, art in general, and stories themselves make very little practical sense. For art, like beauty, is subjective. More often than not, if we are truly honest with ourselves, our art, our stories will not stand the test of time. Thus, art, stories, and beauty do not provide one to leave very much of a legacy – at least an infallible one – through using it as a means. Often, manmade beauty, stories, and those daring choices we make in putting pen to paper, brush to canvas, camera to subject, more often than not can only be justified for the sake of beauty, the sake of telling a story, the sake of art, whatever “the sake” of something actually means. It seems paradoxical, though perhaps it is not: Perhaps, innately, we as humans need stories, need art, need beauty. Not for any utility they propose, but simply so that they can be, quite ...

    Interview with Andrew Goldsmith, Co-Director of Stop Motion Love Story, "Lost & Found" (Part 2/2 of Interview with "Lost & Found" Directors)

    Knotjira (left) and Knitsune (right) in Lost & Found . Photo courtesy of Andrew Goldsmith. The true essence of art – a reflection of life itself – is very much akin to the Japanese aesthetic of “wabi-sabi”: it’s imperfect, impermanent, and, at times, profoundly...incomplete. It is both at once a fundamental truth, and, curiously, more often than not, a thing incredibly hard to acknowledge, to make peace with. Yet perhaps our resistance is justifiable, for once we admit that the world is full of unknowns – unknowns that aren’t ideal, that aren’t perfect – we are just as soon confronted with the actualization of a deep, intrinsic, and very human fear: the fear of a future full of...unknowns that aren’t ideal, that aren’t perfect. Yet it’s the confrontal of that fear that is the most terrifying reality of all, for the moment we make peace with it we have just as soon have acknowledged that our paths in life aren’t in our own hands, or something we ...

    Interview with Joseph Wallace, Director and Animator of Psychedelic, Cut-out Stop Motion Music Video for Canadian Artist Parker Bossley's "Chemicals"

    Parker Bossley as seen in Chemicals . Photo courtesy of Joseph Wallace. “I think the thing I’ve always found wonderful about cut out animation is that it’s one of the most immediate forms of animation,” muses British stop motion animation director Joseph Wallace – currently based in Bristol, UK, where, in January of this year, he founded the stop motion studio Hangar Puppet Animation Studio – in discussion of the medium he employed in his most recent film – the surreal, psychedelic music video for Canadian artist Parker Bossley’s debut single, Chemicals , which has already won a Vimeo Staff Pick. Perhaps more than anything else – perfectly suiting the film’s subject matter –the style and medium allow to film to transcend to time itself, just as Wallace implies, undoubtedly allowing the film to become just that – immediate. Almost so much so one gets the feeling they’re clawing at air in search for a handle on reality as they fall…along with Bossley – also the film’s protagoni...