More than one person has asked me what exactly do you need for a simple puppet. The basic materials are foam latex, an armature, faces. The best place for me to buy foam latex is http://www.burmanindustries.com, or http://www.animationtoolkit.co.uk/, both are trustworthy. I prefer foam latex over clay, it's easier to use (after molded properly) although, it is somewhere around 15 - 20 times more expensive than clay, but if it will work for you budget it works best. The armature is sort of tricky, it depends on how much you use the character. For instance, all the puppets on Robot Chicken all have wire armatures, on the other hand with a feature flick like Coraline, all the armatures are ball-and-socket. I usually use a wire armature. You can buy the wire at a reasonable price here on http://www.amazon.com. The best way to make an wire armature is to use a drill to twist two strands of wire to create a heavy duty wire; then tie wires together for arms, legs, etc. Faces are a hard subject to talk about because everyone has there own way. There are three main types of face animation: replacement faces, cut out faces, and one animate-able face (this method was used in Fantastic Mr. Fox). Overall, that's the basics, you can buy most of it on Amazon, thanks for your time!
Interview with Ru Kuwahata and Max Porter, Directors of Oscar® Nominated Stop Motion Short Film, "Negative Space"
Sam walks to his car in Negative Space . Source: Vimeo. Across the Baltimore-based director-duo Ru Kuwahata and Max Porter’s Oscar® nominated short film Negative Space ’s 5 minute runtime, rooted in the profoundly emotional soil of the film’s essence , an extraordinary spectrum of deep themes are explored – death, grief, what one’s childhood means once one has “grown up” – yet perhaps none are as front-and-center than that which binds all of the film’s themes together: that of the relationship between father and son. Negative Space , a film inspired by a 150-word poem of the same by Ron Koertge , is, at its heart, the story of Sam, a young man, as he internally processes his relationship with his father throughout his life as well as the grief and emotion that come with the loss of his father as he travels to his recently-passed father’s funeral. Sam looks upon a toy taxicab in Negative Space . Source: Vimeo. Undoubtedly the primary visual motif as well as the crux of t...
Comments
Post a Comment