Skip to main content

Simpsons Couch Gag!

Yes, finally The Simpsons are in stopmo, oh, wait, I already said this in another post.  Stoopid Buddy Stoodios has posted the couch gag they
made for Fox and The Simpsons on there website, so go check it out here!


Marvelous, behind the scenes!

















Comments

Post a Comment

Popular posts from this blog

Vincent & Puppet Scales

Tim Burton's Vincent  is a masterpiece; the short was animated by the brilliant Stephen Chiodo .  I do love that the short was shot in black and white film, ask any true film-lover and
Post a Comment
Read full article »

Phil Tippett's "Mad God: Part 3" Fully Funded on Kickstarter!

The stop motion legend, Phil Tippet, has launched – and has now successfully funded – the third chapter in his beautiful and weird dystopian series of stop motion short films entitled Mad God , via crowdfunding the project through Kickstarter. WE DID IT! --- MAD GOD 3 kickstarter sucessfully funded ---- GREAT THANKS TO ALL ! --- — Phil Tippett (@PhilTippett) June 17, 2017 The project’s initial goal of raising $40,000 has been met and surpassed by financial backers with a final tally of $45,845 from the Kickstarter campaign , which ended yesterday. As Mr. Tippett explains in his Kickstarter video, the money will go towards feeding the crew working on the project out of Tippett studio in Berkeley, as well as to buy materials and to help “keep the adventure going,” as he explains in his Kickstarter video. Phil is a master of the craft of stop motion, which he's helped pioneer since the earliest work of his career. Starting in 1975 with his employment at Industrial Light ...
Post a Comment
Read full article »

Aardman Co-Founder David Sproxton's Tips for Success in the Animation Industry, Part 1 (of 3): 3 Pre-Production Tips

Aardman founders David Sproxton (left) and Peter Lord (right) standing in front of Wallace & Gromit set for Variety (Photo by Charlie Gray) “It all started at a kitchen table,”  says co-founder of Aardman Animations, David Sproxton,  about the beginning of his career in animation, “Pete [Peter Lord] and I met as schoolkids….Pete and I got to be great mates and we started playing and thinking up stories. I was always interested in photography and kind of, I guess, the process thing about films….One day we got out the Bolex, stuck it up on a stand and actually just cut images out of color supplements. We’d obviously watched programs like  Vision On , which obviously used a plethora of styles. Cut out is the easiest thing to do. We didn’t really understand cel animation or actually how you drew stuff. We just moved stuff around and did stuff with chalk drawings.” Earlier this year, Aardman, in celebration of the 40th anniversary of their studio,  released a ...
Post a Comment
Read full article »

Interview with Kangmin Kim, Director of Stop Motion Short Film, "Deer Flower"

Kangmin Kim animating the dream sequence from Deer Flower . Photo courtesy of Kangmin Kim. The experience of childhood is something like existing within a waking dream. In childhood, as in particularly vibrant dreams, the distinct and unique experience presents itself to simply exist in each moment without explanation or reflection – to become fully and wholly enveloped in each and every moment, the option of operating outside of which is somehow nonexistent. In that special time in one’s life, moments simply are . And yet, childhood, like dreams, is a fragile and temporary reality. It’s not until one “wakes” from childhood, by entering adulthood, that one can reflect upon and appreciate the past and, in retrospect, realize just how odd and unusual certain experiences might have actually been. Korean filmmaker and animator Kangmin Kim captures this feeling beautifully in his outstanding short film Deer Flower . Deer Flower tells the semi-autobiographical of auteur Kangmin...
Post a Comment
Read full article »

Behind the Scenes of "Robocop 2" at Tippett Studios and how "Jurassic Park" Changed Special Effects Forever

A depressingly large percentage of Hollywood movies boast a gratuitous amount of potential and possibility and yet, for one reason or another, often fall far, far too short to live up to the films they seem to have the potential of being. Although it’s a shame that many of these films have a stupendous level of production value and talent but are often often overlooked, as production value and talent are seen as secondary and supplementary to a quality story – the special effects work done on such second-rate films sadly go unrecognized the most often. An immutable fact stands strong – mediocre films, no matter the level of talent and amount of time poured into producing their special effects, are seen and remembered as nothing but wasted potential…or worse. Yet few box office bombs have had special practical effects work as groundbreaking, especially in the stop motion realm, and yet unfortunately remains unrecognized in every respect than the 1990 film Robocop 2 , both an irrefutabl...
Post a Comment
Read full article »

Interview with Nadine Buss, Cinematographer on Oscar® Nominated Stop Motion Short Film "Negative Space"

One of the surreal flashback scenes from Negative Space . Source: Vimeo. “These are my guidelines for lighting,” Nadine Buss, the cinematographer of the Oscar®-nominated short film Negative Space , tells Stop Motion Geek, “feel, re-explore sensations,” she says, only to then lightheartedly add, “and remember the lights you saw.” Feel . If Buss’s creative fingerprint on Negative Space  could be described in just one word, it would be just that. A beautiful and heart wrenching story, Ru Kuwahata and Max Porter’s Negative Space  – a stop motion short film based on a poem of the same title by Ron Koertge – is, in many ways, one story presented as two: One half of the narrative is of a young man – Sam – as he packs a suitcase for travel before then driving to the funeral home where his late father’s viewing is being held. It’s a narrative colored by Buss in the hard, icy light of winter, which contrasts sharply with the sunny, warm light in which the second story is pa...
Post a Comment
Read full article »

Interview with Matt Bollinger, Painter and Animator Behind Stop Motion/Painting Hybrid Short Film "Between the Days," a Beautiful Portrait of Routine, Unfulfillment, and Despair in Middle America

"Before Work" finished painting featured in  Between the Days . Photo courtesy of Matt Bollinger.  Often – far too often – we forget the true weight of our actions, our everyday decisions, ranging from those big to small. And, in forgetting, we forget ourselves – who we truly are, where we have been, what we have done, how we have gotten here, to this very place in this very moment. For we are nothing if not the sum total of all our decisions, our actions…even the most minute, even those – perhaps especially those – made in the thrumming humdrum of the everyday: the act of rising from our bed and reaching over to flick off the alarm resting on our bedside table, lighting a cigarette, collecting yesterday’s trash before moving on to more, equally menial tasks. Moments spent alone, in ostensible comfort – the comfort provided us by 21st century accoutrements so many of us have grown to take for granted. Whether we are aware of it or not, each of our actions leave a ma...
Post a Comment
Read full article »

Interview with Heather Colbert, Filmmaker Behind The Music Video for Tom Rosenthal’s “How Have You Been?”

Hypnos looking on at the moon. Photo courtesy of Heather Colbert. “After talking with Tom, I just let the track play, while I drew or noted down ideas that came into my head,” Heather Colbert—a Bristol-based animator and filmmaker—tells Stop Motion Geek about the origins of her newest project: creating, almost single-handedly, the music video for English singer-songwriter Tom Rosenthal’s “How Have You Been?”—a haunting and beautiful acapella piece off his latest album, Z-Sides . “He told me the album was about sleep and so the images that came to me were of nocturnal and natural things. I also saw a connection in the beautiful lyrics to a character living with mental health issues, especially in the line ‘I woke up, but it didn’t go away’. So I began to see a creature trying their best to get on with their task, but being hindered by the fear of the world that they inhabit.” Hypnos (left) and Shadow (right) in the film. Photo courtesy of Heather Colbert. The third musi...
Post a Comment
Read full article »

Boinx's iStopMotion for iPad Review

Before I jump into the review i'm going to say that Boinx is not paying me to do this review and the following is my personal opinion only .  With that being said let's get to it shall we? Before we get into it I would like to show you some clay test animation that I made with iStopMotion... Untitled from SMG on Vimeo . The first thing that shows up when you open iStopMotion is a quick Stop Motion video which runs you through the key features of the app for instance: the capture button, playback, and adjusting your camera settings.  Let me say that this video is of the poorest quality of animation, it's just terrible.  But, if you stop to think about it, there is a good explanation for this; my guess is that Boink doesn't want beginners to look at animation that is the equivalent of Coraline and comparing their own work to it. This app itself is very straightforward.  Directly below the welcome video is a plus button which if you tap creates a new proje...
Post a Comment
Read full article »

Aardman Co-Founder David Sproxton's Tips for Success in the Animation Industry, Part 2 (of 3): 4 Production Tips

David Sproxton Over the course of Aardman co-founder David Sproxton’s two in-depth interviews with Watershed’s Mark Cosgrove, it becomes blatantly obvious that his easy-to-listen-to, soft-spoken words offer an invaluable resource to animators and filmmakers alike in the way becoming successful in the business of animation. In keeping with the theme of last-week’s article, this week signifies the second post in Stop Motion Geek’s series of articles on advice for animators and filmmakers accrued from Sproxton’s interviews with Cosgrove about the history of Aardman, wittily titled “ Aardocs .” Last week, the elements of Sproxton’s advice that I chose to write about primarily pertained to pre-production, whereas this week I’ve chosen advice of his that pertain primarily to the process of production. His advice – posted below – span everything from importance of knowing your limitations to an excellent way to to build your skill-set as an animator or filmmaker to the value of creati...
Post a Comment
Read full article »